Friday, 17 February 2012

Getting started in Wordpress: previewing Masterclass 44 at MMJ


Before we start – you need to know there are two versions of Wordpress - and

There are important differences between the two, and you need to decide which is most appropriate for you. is the simple version that you can get to work on without any preliminaries. is more sophisticated, and involves downloading and unzipping Wordpress to your computer, and having a hosting provider
There’s a good guide to the pros and cons of each here from the Expand2Web blog, where you'll also find this smart illustration..

With your ability to change the look and feel of the site you create is limited.
With you can customise the look and feel of your site. And you can install a wide variety of themes, and add many WordPress plug-ins to extend its functionality.
For a non-techy, looking at what you need to do to install and run .org can be daunting. But it needn’t be. There are a number of hosting services that make it easy, some offering one-click installation of Wordpress. But you do have to pay for their services. offers a list of recommended hosts here.
You can also choose your own hosting company. Tell them you want to use the Wordpress operating system and they’ll set you up an account on their server where you can administer your site. We’ll look at that in Masterclass 45: Building Proficiency in Wordpress.
In this Getting Started guide we’ll look only at, and take the most straightforward approach to getting a Wordpress site up and running.
So this course fits into the first of the three levels of training used in the book version of MMJ, and in this companion website. At times we will refer to material that is covered in other modules of Getting Started, particularly Chapter 2: Creating a Publishing Platform, which starts on page 68.
You'll need to subscribe to MMJ to access the other material referred to. To do that, you have to buy the book, in either print or ebook format. A code given there gets you access to everything on this site. The book costs about £25 from Amazon UK, a few pounds less in Kindle version, or about $40 from Amazon USA.

Next: First essentials, understanding the Wordpress dashboard

Win a print run for your journalism course newspaper and are offering two lucky winners a free, 150-copy print run for their 16-page tabloid newspaper

The competition is open only to UK-based journalism course tutors or students, hyperlocals or start-ups, and is offered by NOT .com, which operates in the USA.
The idea is that if you are itching to publish your own tabloid newspaper, this is your chance to create and have printed a sample that shows what you can do.
It’s something you might be able to submit as part of course work, or, if you are a hyperlocal or startup, to help your fight to get funding or to trial your idea and get reaction to it.
To apply, you’ll need to come up with a convincing pitch as to why you should get one of the two prizes.
Imagine you are pitching to a potential publisher or backer. Why should they put their faith in you?
The pitch should be as concise and professional as you can make it.
Include enough information for us to check out that you really are who you say you are, and to verify any claims in your pitch. So if you are a tutor, details of the institution you work for; if a student, contact details for your tutor; if a hyperlocal or start up, links to what you are doing now, and contact details for the leaders of the enterprise.
If we discover you are spamming us, we'll delete your entry.
Once you have your pitch prepared, email it to
You’ve got until midnight on February 28 2012 to apply.
The judges’ decision will be final and no correspondence about those decisions will be entered into.
But if you would like to ask anything about how to prepare your pitch,  or to check your eligibility, feel free to get in touch using the email above, or any of the contact buttons on this site.
We’ll aim to feature the two winning projects on the MMJ website.
Should no suitable projects be put forward for consideration by the closing date, the competition will be cancelled.

Find out more

You'll find a detailed tutorial in how Make My Newspaper's online newspaper designer and editor works here.

And some thoughts on why print still matters here.

Friday, 10 February 2012

How to make your own newspaper - and maybe win a print run

Later in this module we'll demonstrate software that lets you create your own newspaper

And we'll offer prizes of two free, 150-copy print runs of your own  tabloid newspaper

But first...what is the future for print?

It’s not hard to spot the decline in print as a medium for distributing news

And commentators proclaiming the death of print are legion.

So there’s no denying that print’s fortunes have plummeted, just as other media that were overtaken by more convenient technologies have done in the past.
But print still has its cheerleaders. There are even those who say print is the new vinyl – drawing a parallel with the niche appeal of a music-distribution technology that was first overtaken by tape (but who still has a tape deck?) and then by CDs (that don’t seem as robust as my old LPs).
So it’s probably fair to say that print will have a place in the future of news distribution. We just don’t know how big a place it will continue to earn, or for exactly which markets it will still work.
Speaking personally, while I consume about 90 per cent of my news online, and also use the web and mobile versions of print titles I subscribe to, print is still unique.
Online, I pick from a wide array of sources – or brands. With print, I’ll consume a great deal from one particular brand. I’ll always want the weekend papers, and I get a richer experience – and more enjoyment – from reading print than I do from electronic platforms.
So there are situations in which, for me, print is still the favoured way to consume news, information and entertainment.
And when we think of a future for print, it’s worth pondering this explanation for renewed interest in vinyl: “vinyl was the fastest growing music medium in 2010. Why? Essentially, because purchasing and consequently possessing a physical object is an entirely different consumer experience.  This is why, after a long period of disinterest, consumers are increasingly investing in vinyl alongside other mediums, mainly digital.”
I may well be in a small minority in valuing a physical newspaper, but serving minorities that value you highly is not a bad business model.

Clay Shirky on what newspapers must do

Indeed, for newspapers it may be the key to survival. Listen to Clay Shirky.
Shirky posted this analysis of what newspapers need to do to serve effectively those still prepared to buy them.
He says there that while the median reader, the general interest readers who once formed the mass of newspaper readership, won’t pay for news, there is a small and very loyal core readership that will – as long as their newspaper gives them exactly what they want.
And what they want may be highly specialised, and very different from the general mix of news, gossip and entertainment that even ‘serious’ papers have come to rely upon increasingly over the past 20 years or so.
His piece – which I strongly recommend you read in full – ends with this: “It will take time for the economic weight of those [loyal core] users to affect the organizational form of the paper, but slowly slowly, form follows funding. For the moment at least, the most promising experiment in user support means forgoing mass in favor of passion; this may be the year where we see how papers figure out how to reward the people most committed to their long-term survival.”
So what I think we can conclude from this is that news organisations need to pretty much reinvent their print products if they are to survive. While the focus in newspaper offices has, understandably, been on how to use the new range of online, multimedia and social media opportunities that now present themselves, the other big and unaddressed challenge is to create a new form of newspaper that is finely attuned to the needs of the small core of readers who will continue to pay for it.
My hunch is that this will involve the abandonment of the populism that many papers have gone for; the dumbing-down in an effort of satisfying a mass audience.

What Ian Fleming did for the Sunday Times

I was struck, reading Andrew Lycett’s biography of James Bond’s creator Ian Fleming recently, to learn of one of his great circulation-building coups while at his day-job as managing editor of the [London] Sunday Times. It was a 15-week serialisation of a book by Somerset Maugham: an interpretation of the best 10 novels in the world, and their authors. It added 50,000 to the paper’s then circulation of around 500,000 and led to the creation of the Sunday Times’s colour magazine. As Lycett says “in this way Ian influenced a major development in British newspaper journalism.”
Today the Sunday Times’s circulation is just over 1m, which is down by 7.51 per cent on the previous year. Maybe the key to stemming that decline – or at least to establishing the title at a level where its core readers are happy with it – is to look again at heavy-weight content. But pitch something like the Maugham book today as a promotion and marketing would think you were mad.
Elsewhere, there is a growing file of evidence that some audiences – often niche audiences by topic or geography - are best reached via print.
Most papers are local papers, and some locals are doing interesting things with print.

Hyperlocal and niche-audience initiatives

Some are taking the strategy of engaging with citizen journalists online, and then curating some of the content they produce in highly geo-located print products.

This post on the MultiAmerican site  - ‘In L.A.’s Boyle Heights, hyperlocal news comes in print’ - talks of a collaboration between  the USC Annenberg journalism school and La Opinión, a Spanish language news organisation, to create a printed paper on which the reporters are local high school and other students.
This is the second hyperlocal news site these partners have launched.
Here’s why this one uses print rather than the web:  “the demographics are different in Boyle Heights, a longtime immigrant port of entry that for the last several decades has been predominantly Latino. While Latinos are active smartphone users, they generally have less Internet access than other groups, hence the old-fashioned distribution approach. A tabloid print edition in Spanish and English, delivered to residents … by La Opinión, compliments an English-language online edition.”
The post concludes: “The community newspaper model, which one might argue is the original hyperlocal news, has been a long-time fixture in Eastside neighborhoods. Many of these are covered by the small Hispanic-owned local papers published by Eastern Group Publications “ which have a circulation of over 104,000 and a readership of nearly 500,000.
In the UK, print newspapers for ethnic, immigrant and language groups have sprung up. If you are a registered user of MMJ you’ll find an overview of that phenomenon here and an interview with the editor of a UK-Lithuanian newspaper, Londono Zinios, here.
Some newspapers are taking the strategy of engaging with citizen journalists online, and then curating some of that content in highly geo-located print products.
The cheerily titled Newspaper Death Watch, which chronicles the decline of print titles, found this piece of encouraging news; “Does print still have value? The people at would argue that it does.

“This website, which is a spin-off of the Dallas Morning News, is using a social network to anchor a community journalism initiative. Local residents create profiles and post information about their interests.”
Those posts are scanned by editors and the best are curated in 11 print editions covering 71 communities which are home-delivered to over 340,000 Dallas Morning News subscribers each Friday.
“The opportunity to be featured in print is a major impetus for local residents to contribute, says managing editor Oscar Marti­nez. And it may actually be a jump start for careers. One journalism student used her trip to Beijing to contribute a series of articles on the preparations for the [2008] Olympics. The visibility she’s received has been worth more than any internship could offer.”
It's not just newspapers that are reinventing their print personas. B2B magazines are working to the same goal. Just as I was writing this, an alert popped up that "The Lawyer magazine has unveiled a radical redesign that will see its weekly print edition devoted entirely to analysis, features and comment."
Editor Catrin Griffiths says: “Print works, as long as you get the product right – analytical doesn’t have to mean anodyne.
"The big issues of the day are best served analytically and at length - it’s what print does best."
So, the challenge for print in general, and for the newspaper industry in particular, is to learn who will pay for a print product, and what they will need to see in it.
Meanwhile, maybe you'd like to create your own newspaper?

Next: How to create your own newspaper

Friday, 3 February 2012


Picnik is a great photo editing tool

Or it is until April 19

After that owners Google are shutting it down. Until then you get to use the paid-for premium version of the site for free.
We cover using Picnik on pages 430-434 of the paper edition of MMJ, and here on the companion website.
The tuition in this masterclass replaces that section of the course.
Google has an alternative to Picnik, within the suite of apps that now makes up Google+. It’s called Creative Kit and it is based closely on Picnik.

We cover how to use Creative Kit here.

If you’d rather find an alternative, you’ll find some suggestions for other good photo-editing applications as well.

Five free alternatives to Creative Kit

We'll take a look at:

  • Photoshop Express
  • Pixlr Express
  • Fotoflexer
  • Free Online Photo Editor, and
  • Pixenate

If you have a favourite photo editing app, let us know via any of the contact buttons on this site.

Next: How to use Google Creative Kit